• Vintage graphic
• Cover image

Cinematic artwork

In the case of Craonne, which was entirely obliterated by artillery, the village had to be rebuilt on a nearby site, while the ruins of the original settlement were abandoned to nature https://commxinc.com/payment-methods/. As a result, the only way for photographers to identify Craonne was by providing a caption.

In July 2004, for the 25th anniversary of the overthrow of Somoza, Susan returned to Nicaragua with nineteen mural-sized images of her photographs from 1978-1979, collaborating with local communities to create sites for collective memory. The project, “Reframing History,” placed murals on public walls and in open spaces in the towns, at the sites where the photographs were originally made.

“In 1992 I was commissioned to make work by the Neue galerie in Graz, Austria and the theme was war or “krieg” as it is in German. Graz is on the border with Yugoslavia and there was war in Yugoslavia at the time. I think they were hoping that I would make something to do with the war that was taking place between Croatia and Serbia and Bosnia. I did go to the war; you went to Zagreb and got a UN pass and went in to the war zone. It was very interesting to be taken into the war zone but ultimately I got back to England and I decided – to the annoyance of the gallery – that I was thinking about Austria instead. At the time, the president of Austria, Kurt Waldheim, had been exposed as a member of the SS and had been informing Yugoslavia during the war and the Austrians were very unconcerned about this. I thought I’d much prefer to make work that had the Austrians confronting their Nazi past rather than about the current conflict. I knew about the prison in Barry Island in South Wales where the SS were held before they were sent to Nuremberg for the trial and I started taking a series of photographs in the prison. It was lucky that I did because it was demolished the following year by the MOD. It’s gone now. When I got there, I saw the prisoners had been drawing on the walls. They’re mossy and crumbling but you can see Germanic lettering and Bavarian landscapes and women with 1940s haircuts. They are evocative and powerful given the emotive history. ”

Vintage graphic

Spanish born Pintachan’s charming Mid-Century inspired work perfectly encapsulates the style of the era typically reserved for children’s media. His textured and whimsical Mid-Century illustration work captures the feel of childhood with basic shapes and bold colors.

1 Coffee Spoons Print This fantastic coffee spoons Free Prints Vintage Picture was scanned from an antique silverware catalog. The print shows a collection of 15 silver coffee spoons, in all different patterns, fanned out in an oval shape. If you look closely you will see that each of the pattern names are next to the spoon. Some are very ornate and some are quite plain.

12 1855 Botanical Bouquets Here you will find a beautiful instant art print of a passion flower vine from an 1855 botanical book. This one is wonderfully monochromatic with all of the various shades of green. There is a high resolution printable as well as the flowers on a plain white background. The other prints on the page coordinate so nicely with it, nice for a living room or hallway!

Spanish born Pintachan’s charming Mid-Century inspired work perfectly encapsulates the style of the era typically reserved for children’s media. His textured and whimsical Mid-Century illustration work captures the feel of childhood with basic shapes and bold colors.

1 Coffee Spoons Print This fantastic coffee spoons Free Prints Vintage Picture was scanned from an antique silverware catalog. The print shows a collection of 15 silver coffee spoons, in all different patterns, fanned out in an oval shape. If you look closely you will see that each of the pattern names are next to the spoon. Some are very ornate and some are quite plain.

Cover image

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